Yixing Purple Clay Teapot by Wang Yin-xian (1943-)
汪寅仙(1943-)製宜興紫沙茶壺
Wang Yin-xian (1943-)
China Arts and Crafts Master
Gender:female
Birthday:1943-01-01
Artist Profile:
Wang Yinxian, female, was born in Dingnan Village, Dingshan, Yixing, Jiangsu in 1943. She was awarded many honorable titles as senior master of arts and crafts, the chinese arts and crafts master, national model worker, national women red-banner pacesetter, “the middle youth expert with outstanding contribution” in Jiangsu Province, member of the Chinese Arts and Crafts Association, consultant of the Yixing Red Pottery Culture Research Committee. She had been in many positions such as the vice chief crafts master in Yixing Red Pottery Arts and Crafts Factory, the deputy director of Yixing Red Pottery Research Institute.
In the year of 1956 she worked at Yixing Red Pottery Arts and Crafts Factory, being an apprentice of the famous old handicraftsman Wu Yungen to learn the crafts of manufacturing pots, then acknowledged Zhu Kexin as her master from whom she studied modeling design of red pottery plain statue utensil. In 1959, collaborated with her master, she duplicated the collector,s piece CUP of SAGE PONDERING ON PEACH collected at nanjing museum in great success, which was displayed in eastern EUROPE such as the SOVIET at artistic interchange show sponsored by culture department. In 1979, her works GRAPE CUP was appointed as the present when our national leader visited foreign countries. In 1980 her works LONGEVITY PLUM STAKE TEA SET won first-rate award at Jiangsu province four up-to-date products comparison. In 1986 her works CIRCUMFERENCE RECTANGLE POT won second-rate award during a national evaluation of ceramic crafts. In the year of 1986, collaborated with professor Zhang Shonzhi at the Central Arts and Crafts Academy, she created the tea set CROOKED POT featured with abstract lines, which had been exhibited in such countries as Japan and America. Furthermore, in 1990 the CROOKED POT had won the first-rate award both at the national ceramic crafts evaluation and at the international exquisiteness competition, and was collected by the Chinese Historical Museum in Beijing.
Among her works, CIRCUMFERENCE RECTANGLE POT and CUP of SAGE PONDERING
ON PEACH are collected at Zhongnanhai Ziguang Attic, CROOKED POT, CROOKED
HANDLE PLUM STAKE POT, BIG ONE BEAD, QING AUTHORITY POT, PUMPKIN POT and CUP of
SAGE PONDERING ON PECH are collected at world,s six great museums such as the
Imperial Great English Museum in England. Coming from life and deepening than
life are her crafts pursuit, while the integration of the abstract and the
realistic is her pot artistic style.
汪寅仙
中國工藝美術大師，女，別名:東方之子、曾用名朝陽，1943年生於江蘇省宜興市丁蜀鎮，1965年考入宜興紫砂工藝廠，1973 年進紫砂工藝廠研究所，專搞紫砂造型設計，1975年進入中央工藝美術學院進修。 1982年任研究所副所長、晉升為工藝美術師，1989年為高級工藝美術師，任副總工藝師。1988年榮獲江蘇省有突出貢獻的中青年專家及省“三.八”紅旗手標兵。1989年榮獲全國勞動模範及全國“三.八”紅旗手。1993年被國家評為中國工藝美術大師。
宜興丁山人，1943年生。拜于名家朱可心門下習藝，創作題材與製作手法深受大師影響，已得真傳。1956年，年僅14歲的她就考入紫砂工藝廠，先後從師吳雲根等名家，後又深得顧景舟大師的悉心指導，1976年進入中央工藝美術學院深造。習藝期間亦曾獲多位紫砂名師指導。作品以花貨和光素器見長，為現代陶藝大家之一。
汪寅仙14歲便開始學習紫砂陶藝，好學精進，17歲已成為紫砂工藝廠的輔導老師。數十年的創作經驗，使其擁有精湛的制壺功夫和對紫砂泥性透澈的瞭解，至今作品已逾百件，常獲選為國家禮品，出國參展並受國家博物院收藏。
近年來越見成熟自信的創作中，散發著韻味無窮的藝術質感。汪寅仙並與中央美院張守智教授等藝文界人士何作，嘗試不同風格的砂壺製作，成績斐然，大大拓展其藝術創作空間。
汪寅仙
1943年生於江蘇宜興丁山丁南村，高級工藝美術師，中國工藝美術大師，全國勞動模範，全國三八紅旗手，江蘇省“有突出貢獻的中青年專家”，中國工藝美術學會會員，宜興紫砂文化藝術研究專委會顧問。曾任宜興紫砂工藝廠副總工藝師、宜興紫砂研究所副所長等職。
1956年進宜興紫砂工藝廠，師從著名老藝人吳雲根學習制壺技藝，後轉師朱可心門下習研紫砂素塑器造型設計，1959年隨師朱可心成功複製南京博物院藏品《聖思桃杯》，並隨文化部藝術交流展送往當時的蘇聯等東歐國家展出。1979年作品《葡萄杯》選中為國家領導人出訪外國的禮品。1980年創作的《高夀梅樁茶具》獲江蘇省四新產品評比一等獎，1986年作品《回方壺》獲全國陶藝評比二等獎，1986年與中央工藝美院教授張守智合作創作的抽象線條形茶具《曲壺》曾送往日本、美國等國家展出，1990年分獲全國陶藝評比一等獎、國際精品大獎賽一等獎，並被北京“中國歷史博物館”收藏。
汪寅仙14歲便開始學習紫砂陶藝，好學精進，17歲已成為紫砂工藝廠的輔導老師。數十年的創作經驗，使其擁有精湛的制壺功夫和對紫砂泥性透澈的瞭解，至今作品已逾百件，常獲選為國家禮品，出國參展並受國家博物院收藏。
其制壺態度一絲不苟、謹慎嚴密，並長期對創作題材深入觀察體會進行藝術的提煉。使作品展現包括形象、神韻與氣質上的美感。她以寫實的手法刻劃自然生態美於花貨上，詮釋田園中旺盛的生機和飽滿盎然的精神。仿真形象惟妙惟肖，在運色上汪寅仙有其獨特的美學觀念，她儘量保持紫砂特有的光華質感，而不求顏色與實物相同。僅於局部做顏色處理，形成一種畫龍點睛的效果，也更能突顯作品造型特色及優雅氣韻。其光素器則講究整體結構慎密及線條流暢，以簡練的形式表達紫砂器特有的美感與深度。
近年來越見成熟自信的創作中，散發著韻味無窮的藝術質感。汪寅仙並與中央美院張守智教授等藝文界人士何作，嘗試不同風格的砂壺製作，成績斐然，大大拓展其藝術創作空間。
作品《回方壺》、《聖思桃杯》被中南海紫光閣收藏，《曲壺》、《彎把梅樁壺》、《大一粒珠》、《秦權壺》、《南瓜壺》、《聖思桃杯》收藏在英國皇家大英博物館等世界六大博物館。
源于生活，高於生活是她的藝術追求，抽象與自然寫實相結合是她的壺藝風格。
是姚明的奶奶。
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